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poor things costume design

Networkers can meet with industry professionals through extracurricular programs at SCAD, FIDM or UCLA. For a well-rounded résumé, classes in costume animation (CalArts), millinery (UMKC) and corsetry (USC) are available. And if location, location, location is at the top of the list, aspiring designers can’t beat Tisch in the Big Apple or one of the L.A. Area’s four schools that benefit from Hollywood right in their backyard.

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She embraces her newfound sense of agency, challenging societal judgment and embracing her sexuality without shame, navigating a world of whimsy and wonder. The character, the Lady in the Radiator, really struck a chord with me, because when I was a child, I was convinced that I had a doll trapped down the back of my radiator that wore a red PVC raincoat and had blonde hair. So when I saw this film, I couldn't believe it!

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poor things costume design

He left me to get on with my own thing for a while, and then when we came back to look at everything that I’d come up with, he was very clear that he wanted these sleeves. On the first day of filming, that very textured thing that she wears at the piano, the sleeve was so big that it was impacting on how they could shoot her. That might be why people don’t do the 1890s in this way as a regular thing. When you go to costume houses, the sleeves were much smaller, but we decided to really dial them up, and go for them. I think what works is that they amplify well. And they also affect her body shape and create this sense of otherness.

Catherine Zeta-Jones' daughter Carys Douglas wears her pink dress from 1999

I described colors to him through words, through images, and he said, "What you're describing to me is the color of a rotting apple." And I went off and had a little look on my phone and noticed that he was absolutely right. But just the fact that he would know that says about this man's ability for visuals. I took the color palette from this range of women. The women in the brothel are a really diverse group.

Were you a fan of Yorgos’ work before?

I was thinking about socialist meetings, and her and her friend would be a couple of beatnik girls from the 1950s with their black clothes and berets and black boots but sort of transposed into a late Victorian world. I also wanted her to be very consistent with the men, because you look at these pictures of Victorian medical school, the men have all got these black frocks. Well, they look black, because it’s all pictures in black and white, probably.

I have always loved his work, its subversiveness, its anarchic questioning of human behavior. As soon as I got a script emailed over, I was on a mission to get the job. Poor Things follows Bella, a Victorian woman whose brain has been replaced with that of an infant, who goes on a whirlwind adventure across the continents.

The film would require Waddington to take everything she learned about 19th century fashion — and turn it on its head. Bella’s wedding dress, influenced by French designer Madeleine Vionnet (who pioneered the bias-cut dress), honors her figure in that way, too. The bubble mesh shoulder pads wrapped with bands symbolized dominance despite its light, airy fabric, Waddington says. I had worked with Tony McNamara on The Great.

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To evoke, and very subtly, hopefully, evoke some sort of idea of living and breathing creatures. As she discovers sex, Bella’s world blossoms into color, daring, and playful pieces in her wardrobe with yellow raincoats and dressing gowns with shorts beneath, all accessories with her ever-growing black hair. From then on, as she evolves – from dabbling in philosophy and taking a job, out of curiosity, at a Parisian brothel, to developing an interest in socialism and, eventually, aspiring to become a doctor – so do her outlandish ensembles. The sexual coming-of-age film stars Emma Stone as Bella Baxter, the peculiar daughter of an experimental scientist with a special interest in creating chimeras. Bella, who has the brain of a child but the body of a young woman, is soon whisked away on a freewheeling adventure by one of her many romantic suitors. Set in a Victorian-esque steampunk world, “Poor Things” costars Willem Dafoe, Mark Ruffalo and Ramy Youssef.

And nowhere is this more apparent than in the captivating realm of Yorgos Lanthimos's Poor Things, which won 4 Oscars at the 96th Academy Awards. The film won Best Costume Design, Best Makeup and Hairstyling, Best Production Design, and the talented Emma Stone took home the Oscar for Best Actress in a Leading Role. I took a load of stuff out in suitcases and met her there.

Inside The Victorian Fashion Of The Poor Things Movie - Refinery29 Australia

Inside The Victorian Fashion Of The Poor Things Movie.

Posted: Sun, 10 Mar 2024 08:00:00 GMT [source]

I started off doing a lot of concept work for Yorgos. One idea was setting it a little bit earlier and having the sleeves tight with the skirts almost phallic. I liked the idea of the clothes referencing body parts somehow and having an organic unruly quality. Then I did a lot of research on these sleeves and he very much went to the sleeves.

While such graphic symbols would perplex a regular visitor, to Bella it was another part of the human anatomy. Unlike the other life-size sets, the cruise liner that Bella and Duncan travel on after Lisbon is a miniature that stretches about six feet long. It includes two decks along with internal lights and smoke billowing from the ship’s funnel. A curved LED screen mimicked the deep blue sea and sky. At the beginning, I was less concerned with what the final look would be. I was more concerned with what the conceit and logic would be, how it would evolve.

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